Wolfgang amadeus mozart mozart - walter goehr - piano concerto no. 6 in b-flat k. 238 - piano concert


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A significant way that Mozart would heighten the drama of a musical line was by his masterly manipulation of the tonic-dominant chord progression. Particularly in his operas, he created moments of tension followed by cathartic release by exploiting the polarization of the consonant and dissonant intervals within these two chords, and also by the shifting of key centers. Equipped with these new musical devices, Mozart could explore the depths of the human psyche in ways that were revolutionary for their time. He was, in some respects, the first modern psychologist of opera, a master of creating mood, drama, and atmosphere in his operatic works. The great facility and ease with which Mozart fused music to mood was perhaps his most important contribution to music.

Wolfgang Amadeus Mozart’s was the sole-surviving son of Leopold and Maria Pertl Mozart. Leopold was a successful composer, violinist, and assistant concert master at the Salzburg court. Wolfgang’s mother, Anna Maria Pertl, was born to a middle class family of local community leaders. His only sister was Maria Anna (nicknamed “Nannerl”). With their father’s encouragement and guidance, they both were introduced to music at an early age. Leopold started Nannerl on keyboard when she was seven, as three-year old Wolfgang looked on. Mimicking her playing, Wolfgang quickly began to show a strong understanding of chords, tonality, and tempo. Soon, he too was being tutored by his father.


Wolfgang Amadeus Mozart Mozart - Walter Goehr - Piano Concerto No. 6 In B-Flat K. 238 - Piano ConcertoWolfgang Amadeus Mozart Mozart - Walter Goehr - Piano Concerto No. 6 In B-Flat K. 238 - Piano ConcertoWolfgang Amadeus Mozart Mozart - Walter Goehr - Piano Concerto No. 6 In B-Flat K. 238 - Piano ConcertoWolfgang Amadeus Mozart Mozart - Walter Goehr - Piano Concerto No. 6 In B-Flat K. 238 - Piano Concerto

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